Growing up in war-torn Europe, Schreiber was profoundly impacted by the horrors he witnessed. Born in Brussels, Belgium in 1904, Schreiber did precisely that and, over the course of his career, became a thoroughly American artist. "I want to completely associate myself with America" (Current Biography, p. "I don't want to be just an American with citizenship papers," Schreiber declared. Published by the Associated American Artistsįramed to conservation standards using archival materials including 100 percent rag matting with a 1/4-inch bevel, Museum Glass, and a silver gilded moulding. Instead, these images show the circus as another world - as spaces where fantasy can offer a reprieve from the struggle of the Great Depression Insofar as his circus images show American pastimes, they fall in line with the larger themes of Regionalism, but at the same time they are divorced from Regionalism's gritty realism. When Schreiber came to the United States from his native Belgium, he started working in a regionalist style, and was especially influenced by Thomas Hart Benton in his images of American heartland. Schreiber made several prints of circus scenes, exemplifying the American zeitgeist for these traveling spectacles. Here, acrobats perform amazing feats of agility on the backs of a whorl of galloping horses. In this lithograph, Georges Schreiber focused on the thrill of the circus, taking its circular composition from the central ring.
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